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Don Mee Choi

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Performance&

Hardly War reading at Machine Project, Los Angeles, April 3, 2016. Photo by Laura Parker.
Hardly War reading at Machine Project, Los Angeles, April 3, 2016. Photo by Laura Parker.
Wave Reading, Seattle, September 30, 2016, with musicians Jay Weaver and Doug Lilla. Photo by Matthew Zapruder
Wave Reading, Seattle, September 30, 2016, with musicians Jay Weaver and Doug Lilla. Photo by Matthew Zapruder

Music was adapted, composed, and improvised by Doug Lila and Jay Weaver. I read from “Mirror Words.”

“Hardly Opera” performance w/ Heidi Broadhead, Blyss Ervin, Ellen Welcker, Ryo Yamaguchi) Bagley Wright Lecture Series Seattle, October 18, 2017.
“Hardly Opera” performance w/ Heidi Broadhead, Blyss Ervin, Ellen Welcker, Ryo Yamaguchi) Bagley Wright Lecture Series Seattle, October 18, 2017.

These are the headbands I made for each flower that appear in “Hardly Opera.”

Hardly War performance at Berlin Poesiefestival June 17, 2019. Photo by Johannes Goransson.
Hardly War performance at Berlin Poesiefestival June 17, 2019. Photo by Johannes Goransson.

The performance was for “Freily ausgefranst. Translingual Poetics” with Johannes Goransson, Latasha N. Nevada Diggs, Sawako Nakayasu, and Urayoan Noel—curated by Uljana Wolf and Christian Hawkey.

Performance&Installation

Installation of a Book: DMZ Colony

at daadgalerie, March 11 - 25, 2020

Oranienstrasse 161, 10969 Berlin

“In early March, Choi set aside her writing to mount an art exhibition in the gallery of the German Academic Exchange Service, her fellowship sponsor. The show (which closed early due to the COVID-19 pandemic) was an adaptation of DMZ Colony, whose images and "anti-neocolonial" ideas were now flung into three-dimensional space. Enlarged book excerpts and two long, scroll-like paintings—the original blue women—hung on the walls. Photographs and cut-up words sat in a glass display case. At one end of the oblong gallery, a cluster of white hanbok dresses of various sizes, sewn from traditional mulberry paper, or hanji, stood on a pedestal, stiff like ironed ghosts. They were lit up by a rectangular projection of one of the bilingual orphan letters. I’d been struck by these garments months earlier, when I saw them casually propped on a mattress in Choi’s apartment. In the space of the art gallery, they took on heft. “ E. Tammy Kim, “Long Division,” Poetry Foundation

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Hardly War reading at Machine Project, Los Angeles, April 3, 2016. Photo by Laura Parker.
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of DMZ COLONY

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